You’ll read a lot about “culture” on this blog - usually in the comments section. Much of it concerns a contrived, selective, orthodox brand of official Ireland “culture”, which if we weren’t told about all the time, we’d probably know nothing about. Gaelic, Aran sweaters, tin whistles, Peig, those bagpipe things you play with your armpit. But let’s get on to culture as it really applies in the real world. And Ireland.I was at Madness in the O2 last night, and was very impressed. Not by the O2 or many of the people present – particularly in the row of seats I was in, hopping up and down like a jack-in-the-box to allow egress to those more interested in the bar and the pop-corn than the band. There are two few aisles, you see, and there’s more legroom in a Ryanair jet than in the O2. Throw in the Irish propensity for face-stuffing and that meant I was paying for a seat I wasn’t actually sitting in most of the time. That’s fine if you’re a dancer, but I’m not.
Back to Madness, though. I know they’ve had 30 years to perfect their set, but they were excellent. The light show was superb too, though sound-wise the bass was a bit muddy - and the bass player had a lovely Stingray, so it wasn’t that. Well-crafted, classic ska and pop hits played excellently - with Suggsy the consummate front-man.
As a bonus, Jerry Dammers was there doing DJ, playing an eclectic selection of Blue Beat, reggae and original ska sounds. Dammers, of course, is the man who set up the Two Tone label in the late seventies, a label that included his band The Specials, The Selector, The Bodysnatchers and (initially), Bad Manners, Madness and The Beat.
And while the punk of the Sex Pistols, the Clash, the Jam and others had an important message before and during the ska explosion, the practical anti-racist ethos of Two Tone is hard to beat - and is possibly the most durable. This is simply because it united black and white youth around a common culture consisting of a love of music that transcended other so-called cultural divisions. All the more impressive, as it happened just as unemployment, government policy, racism and rioting had indeed transformed some British cities into “ghost towns”.
The open, accessible and inclusive culture of Two Tone is one that’s well worth us all celebrating.
And the music’s not bad either.
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